Six McKnight Artists

Jul 14 to Aug 26

Opening Reception Saturday, July 14, 1 – 4 pm
Sign up to volunteer at the reception here

The annual exhibition, Six McKnight Artists, features new work by the 2017 McKnight Artist Fellowship for Ceramic Artists, Xilam Balam (St. Paul) and Mic Stowell (Minneapolis), as well as 2017 McKnight Artist Residency for Ceramic Artists recipients Eva Kwong (Ohio), Forrest Lesch-Middelton (California), Anthony Stellaccio (Maryland), and Kosmas Ballis (Florida). This exhibition, supported by the McKnight Foundation, showcases the success of each artist’s fellowship or residency.

Xilam Balam is a St. Paul visual artist, lyricist, and producer. He works with a broad spectrum of mediums from airbrush to stone jewelry, clay, mosaic, & hip-hop. His current projects include an album featuring the sounds of the contemporary Mesoamerican clay flutes he creates. Balam was the lead apprentice under Armando Gutiérrez G., in 2014 on the MN Flute Project, to revitalize the folk art and music of pre-Columbian Mesoamerican indigenous clay instruments. Born in San Antonio, Tejas, Balam's Xicano identity is at the center of all his art forms. He has spent the last 20 years studying Mayan and Mexican glyphs and he creates individually stylized epigraphy drawings.

Mic Stowell received his MFA from University of Minnesota, Minneapolis, and his MA from Saint Cloud State University. After twenty-six years of full-time teaching, he is now able to move toward fully investing his days in his studio practice. Stowell’s work has gone through multiple iterations—from slipcast geometric teapots to tightly painted plates and organic forms—and can be found in collections across the globe from Sanbao Ceramic Art Institute, Jingdezhen, China; to the Polish National Museum, Wroclaw, Poland; to the Appalachian Center for Craft in Cookeville, Tennessee.

Eva Kwong taught at Kent State University in Kent, Ohio, between 1990 and 2006 and is currently visiting faculty at The Ohio State University in Columbus. Born in Hong Kong, she received a BFA in ceramics and sculpture from Rhode Island School of Design, and an MFA in drawing and ceramics from Tyler School of Art in Philadelphia. Kwong’s ceramic works are in collections around the world, including the Mint Museum of Craft + Design, Minneapolis Institute of Art, Finnish Craft Museum, and FuLe International Ceramics Art Museum. She is a National Endowment for the Arts Fellowship recipient and in 2018 the National Council on Education in the Ceramic Arts honored her with an Excellence in Teaching Award. This August you will find her leading a workshop at Arrowmont School of Arts and Crafts.

Forrest Lesch-Middelton is an educator, advocate, and artist with a body of work that brings functional pottery and tile to life with rich political and cultural content. He invented a technique dubbed "volumetric image transfer," where he transfers screen printed pattern and imagery onto the surfaces of his pots while they are still wet and on the wheel. In 2014, he was awarded the distinguished honor of Ceramic Artist of the Year by Ceramics Monthly magazine. He received a Master of Fine Arts from Utah State University in 2006, and a Bachelor of Fine Arts from the New York State College of Ceramics at Alfred University in 1998.

Anthony Stellaccio is a freelance artist and scholar educated in both fine art and folklore. He is a member of the American Folklore Society, the American Ceramic Circle, and the International Academy of Ceramics. Most notable among his professional accomplishments are two US Fulbright grants, a book on Lithuanian folk pottery, more than thirty articles on contemporary and historic ceramics, three years spent serving the Smithsonian, National Museum of African Art, and several years spent as a consultant for the Lithuanian Art Museum. His MFA in Ceramics is from Tulane University; he earned an MA in Folklore from Western Kentucky University.

Kosmas Ballis has been pushing the limits of the ceramic medium since graduate school in Tallahassee at Florida State University, where he received his MFA in 1999. In 2001, Ballis was celebrated as an NCECA Emerging Artist. He went on to create powerful sculptures in response to the BP Oil/ Deepwater Horizon catastrophe. A former student of Ken Ferguson’s at the Kansas City Art Institute, Ballis’ work has always been grounded in formal traditions, regardless of the inspirational content. In 2017, he was awarded the Gold Prize at the Taiwan Ceramics Biennale and will have a solo exhibition at the New Taipei Yingge Ceramics Museum in 2018.

View the Catalog