Glynnis Lessing’s move to Minneapolis in 2012 from Chicago was also a transition from teaching at Lillstreet Art Center, where she had been since 1989, to teaching at NCC. She reports it was a very easy transition and that she loves her NCC community. We love Glynnis and are thrilled at the interesting concepts she brings to the teaching roster.
The story of NCC Student Sara Goettsch begins with an invitation to take a class. Join us as she relates the tale:
Last November, we celebrated our fourth graduating class of Minnesota New Institute for Ceramic Education (MN NICE). The program is currently in its fifth year with another diverse and lively student body. Students enrolled in the 2018 program include: Clarice Allgood, Chris Bond, Shelli Burns, Mariah Greenhoff, Rob Kohlmeyer, Nick Kosack, Jamie Parrish, and Joan Vande Kamp.
Peter Jadoonath will tell us about his 20-year love affair with a Max Beckmann painting in a moment. Perhaps, if we are already familiar with Beckmann, we could have guessed it. There is something reminiscent in Jadoonath’s wares. He gives us dynamic fields of patterned surface against uninterrupted curves of form. Sometimes he activates the work with stylized figures and engages the user on multiple aesthetic and narrative levels.
Priya Thoresen will be joining the roster of teaching artists at Northern Clay Center in the new year. You may already be familiar with Priya’s work and not know it as she was featured on the cover of Ceramics Monthly when she was named one of their 2018 Emerging Artists. Get to know her a little better in the conversation to follow and consider signing up for her class.
It’s Raku, an ancient Japanese tradition modified over centuries and across borders to become something of a standard experience for entry level ceramic students. Raku has borne the critical rebuke familiar to other flashy finishes across various industries, think about ruffles, velvet, red lipstick, sequins, or glitter. However, in the right hands, Raku surfaces celebrate the alchemy of carbon and mineral, reflecting all the colors of nature.
Billie Jean Van Knight started taking classes at NCC this summer, but she really caught our attention as a stellar volunteer during the 2018 American Pottery Festival. She seemed to be everywhere and was happy to join in the work and the fun! After being away from clay for 18 years, a trip to the St. Croix Pottery Tour reignited her love for clay and our friends on the tour pointed her in our direction. Shout out to St. Croix!
From 2001 – 2011 Sandra Daulton Shaughnessy taught in the NCC classrooms and was much beloved by students and administration alike. When she left, she didn’t go far. Her considerable gifts have been in play at the Edina Art Center where she has been the Pottery Supervisor. The ever-expanding concentric rings of the ceramic community continue because of her contributions to the field.
Brett Freund has been a regular in the NCC sales gallery and the NCC classroom for a few years now. An unassuming character with a genuine love of the material. We invite you to enjoy a quick Q & A with Brett and hope that his voice informs your experience of his wares in the gallery and then in your home. Not everyone has easy access to their voice and demeanor through written word, but we think Brett delivers on both accounts. We are proud to represent his work and equally pleased that the 2018 McKnight Jury chose him as a Fellow this summer.
Northern Clay Center community student Emiliano Cerna-Rios maintains a studio in Northeast Minneapolis and is an avid runner and cyclist. His first training in art was in painting.
He began to experiment with three dimensional work in the winter of 2016, which led him to take his first class at NCC, “…just out of curiosity.” The handbuilding class he enrolled in grabbed his imagination and he has been working in clay ever since!